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Plandaí Oidhreachta, Heritage Irish Plants

The Irish Society of Botanical Artists and The Irish Garden Plant Society have joined forces in a project titled Plandaí Oidhreachta, which celebrates our Heritage Plants. It highlights the wealth of good Irish Garden Plants and celebrates the beauty of botanical illustration. In late 2016, the end product of the collaboration will be an exhibition of original paintings and the publication of an accompanying book.

The book will feature articles on a variety of plant themes that highlight Irish Garden Plants, especially those that have come into being since the year 2000. Our latest snowdrops, dahlias and sweet pea will be featured along with primroses, iris and daffodils, as well as other groups of plants, including garden plants selected from the native Irish flora.

As of August 2016, much of the work is complete: the paintings are finished and scanned, the sections on different plant groups have been written, and the design and layout of the book are well underway. If you’d like to find out more, including how to order a copy of the book, which will be published late this year, click here.

The book is now available to purchase online, please click on the following link Heritage Irish Plants: Plandaí Oidhreachta.

A Call to Arts: ISBA Foundation Meeting, 1 March 2014

tussilago
On 1st March 2014 at 11:00am, the Foundation Meeting for the Irish Society of Botanical Artists will be held in the Visitor Centre of the National Botanic Gardens, Glasnevin, Dublin. Anyone with an interest in becoming a member of this new Society, either as an artist or a friend, is invited to attend the Foundation Meeting.

The Society aims to facilitate interaction among those interested in botanical art in Ireland, to foster and inspire their creative development, and raise the awareness of botanical art.
Botanical art is the merging of science and art in the depiction of plant life, and is enjoying a resurgence in recent years. There is a growing number of practicing artists and aspirational beginners in Ireland, and the proposed new society has arisen from this trend.

In anticipation of its official foundation, the group has laid the groundwork for its inaugural exhibition, “The Irish Alphabet in Botanical Art”. The exhibition will first open for public viewing on 2 May 2014 at the National Botanic Gardens, and then travel to The Playhouse in Derry from 11-24 August, and on to The Waterfront in Belfast from 2-25 September. By joining the new Society, members will have the opportunity to support this and similar projects in future.

Full Membership (Fee: €50)
Entitles you to sit on committee (once resident in Ireland), vote (once in attendance at meetings), exhibit in Society exhibitions*, participate in Society events, pay less to attend events organised in conjunction with other bodies and to receive the Society’s yearly publication.
* Participation in exhibitions organised by the ISBA is a benefit of membership but may incur an additional cost to artists. These costs can include, but are not exclusive to, postage, framing, hanging, invigilation etc.

Friend Membership (Fee: €25)  
Entitles you to participation in Society events other than exhibitions and to receive the Society’s yearly publication.

As some people may not be able to attend the meeting, or if you want to arrive with paperwork completed, a Membership form in PDF format can be downloaded from the bottom of this page. All who have signed a membership form and paid the appropriate fee by close of business on March 1 2014 will be considered Founding Members of the Irish Society of Botanical Artists. This can be done on the day paying by cash or cheque, posted previous to the meeting at the address above or by using Paypal (please see instructions on membership form).

For further information, please email Jane Stark at info@irishbotanicalartists.ie.

membership_form

 

ISBA fundraiser Dec 12 2013

A5 PAINTING SALE!!

The first ISBA fundraising event will take place with a Silent Purchase Sale of A5 paintings by botanical artists. The sale will take place on December 12 2013 on the Mezzanine of the Visitor Centre at The Botanic Gardens, Glasnevin. The staff and student Craft Fair is also held that day so there will be plenty to see, to eat and to purchase.

Each painting will be mounted and wrapped in clear cellophane. Purchasers, by presenting €50 will be buying a painting but will not know which one until they identify the number they pull from a box with that which is placed by a painting.

If you are unable to attend on the day of the sale, payments can be made online using Paypal. If you have a Paypal account please send €50 to laragan.hall@gmail.com and identify your payment as ‘ISBA Silent Purchase Sale’. If you don’t have a Paypal account, please email Jane Stark at laragan.hall@gmail.com to request an invoice. On receipt of the Paypal invoice, please follow the directions for making the payment. You do not have to join Paypal to do this.

Below are some of the paintings that will be available in the sale.

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Getting your work out there (PR by another name)

This week’s blog is written by Yanny Petters, who has just heard that two of her works (Wild Strawberry and Floral Alchemy) have been selected for the Art of the State Exhibition 2013 ‘Encounters’,  the latest in a series of annual joint art exhibitions organised by the Department of Finance and Personnel (DFP) in Northern Ireland and the OPW in the Republic of Ireland.  The exhibition will tour Ireland by travelling to four destinations, two in Northern Ireland and two in the Republic. Destinations this year will be Derry, (City of Culture 2013), Lisburn, Cork and Limerick.

I was asked to write a blog on the subject of PR, and I’ve been trying to gather my thoughts on the subject to cover a time when the methods of getting our art work noticed are changing almost by the day.

Really what I can offer is just my experience from my starting out as an artist in the early 1990s when everything still went by ‘snail mail’, to the present day when facebook and twitter are the norm.

Starting out
When I realised that I wanted to work as a professional artist I was working on a Community Employment (CE) scheme at Signal Arts Centre in Bray where I learnt a lot about PR in the sense that I had to deal directly with people visiting the gallery as well as doing community work.
Presentation was all-important, as it still is of course, so having a striking image was essential, but there were other elements which continue to be vital, and one of most important of these is: making connections.

The press
Firstly, to get the press to take notice you need to think about what the various newspapers or magazines are looking for. This usually includes the mention of ‘local celebrities’, politicians and photo opportunities. A carefully drafted press release is vital and should include lots of catchy words, describing the ‘not to be missed’ event. There are good guidelines on the web for press releases. It’s also useful to be able to drop a few ‘important’ names, mention awards, celebrities, sex if possible … in other words all the things that sell papers! And remember: personal stories are popular.

The publication dates of the papers/media outlets you’re targeting need to be established as well as a contact person. Many’s the beautiful press package was sent to The Editor only to be ‘lost’ because it wasn’t sent to the right name. So, the research is important, as is following up after you’ve sent the information (by whatever media) with a phone call: this is key to getting things noticed.

All media are constantly being bombarded with information, all clamouring to get published, and my experience is that it takes time to build a relationship with a publication to get a look in.
Some will only give you editorial space if you also advertise for instance!

The images
At all times the image supplied is vital, that it is strong in colour and structure. Local papers prefer pictures of people, so the artist hanging the exhibition would be more likely to be published than a painting. Asking them to send their photographer sometimes works. And with newer media now, perhaps we need to design ways of being visually irresistible even when seen on the little smartphone screen.

Stay connected!
More than the published media I found that collecting names of people interested in my work over the past 18 years has been extremely important. While they support my exhibitions and buy my work they also spread the word. I have found too that by printing greetings cards and calendars and by teaching I have been able to extend the list and also keep my name out there.
I think it is still very important to keep personal contact with the publications: if you have a friend or family member who works in the Irish Times or the Irish Arts Review, don’t fall out with them, whatever you do!

Online…
Newer media such as facebook and the web have of course helped hugely. While the artist is competing all the time for attention, if you’re inventive with how you use the web, the information can circulate rapidly. I am lucky enough to have an agent who is very good at all that stuff which frees me up to paint! I also have a media-savvy husband who is in charge of my web site and facebook page (lucky me!).

I expect the way forward is mainly through the internet so the thing is to find eye-catching ways to present yourself. The average punter’s attention span is quite short, so we need to get noticed, and be seen regularly, to stay in people’s minds.

Good luck to the ISBA. This wonderful dynamic group should have the media sitting up with their ears pricked!

Wild Strawberries by Yanny Petters

Wild Strawberry by Yanny Petters (image copyright Yanny Petters 2013)

Floral Alchemy by Yanny Petters

Self Heal by Yanny Petters (image copyright Yanny Petters 2013)

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